This video is the first mechanical test of a little climbing monster piece I’m working on.

The mornings haul. I’m feeling fortunate to have had yet another visit from the broken violin fairy. The Zither is pretty cool too.

Motorcycle disc brake assembly + electric drill handle = geriatric robot.

This is a “tree” made from an industrial dough mixing blade and several motorcycle parts. The little tabs with holes are for mounting a little creature which will “climb” the tree.

This welding clamp is one of the most useful things I’ve ever made. It’s like a shop assistant that I don’t have to pay!

One of my older (2005) insect pieces was included in a pretty cool survey of wasp themed sculptures over at Environmental Graffiti today:

http://www.environmentalgraffiti.com/art/news-10-amazing-recycled-steampunk-wasps

Polynomial was created by working together on a sketch and outlining pieces which I cut from aluminum sheet. The pieces were synced using bead chain and sprockets, balanced then delivered to Josh’s studio where he responded to the forms as seen in the video below.

Oh boy! Just got a box full of horrible taxidermy eyes in the mail! Think of all the nightmares I can make with these.

Motorcycle disc brake caliper assembly on its way to becoming a monkey-monster-thing.

This is the second time Wired Magazine has printed this photo (this time in their UK version) without bothering to credit me or my sculpture. The image is used to support an article about Andy Rubin (he’s the one wearing pants), the man behind the Android operating system. Is it too much to ask that Art be considered as intellectual property, or at least valued in some way like every other business? I mean, come on, they’re printing a picture of a giant, anatomically correct, gun toting robot. Why bother even staging such a photo if it’s image isn’t compelling enough to warrant some kind of interest from their readers? Why not do the honorable thing and at least mention the guy who spent countless hours and dollars creating the thing? How hard is it to print a tiny little image credit?

O.K. done ranting now.

Check out this awesome new kinetic sculpture by Gina Kamentsky. This piece is titled Si C C señor!. See (oops, now I’m doing it!) if you can figure out why.

I love how all of the various found objects are integrated in this work of art. An assemblage of unrelated things not only seem to belong together, but move together in diverse and interesting ways. Just look at how beautiful the lines are against a wall:

See more kinetic sculpture by Gina Kamentsky on her web site.

Finally finished replacing the motor bearings and belts in my lathe. What a job, it was like cracking a Swiss safe! Big thanks to the human Wendell, and to a lesser extent the cat Ingot. I couldn’t have done it without you guys.

This little machine will be installed in the head of the large cyclops-octopus-robot thing I’m working on.  Its made from a truck wheel hub, a candle holder, the motor from a dollar bill intake machine, some LEDs, and a few other random parts.

“Above it All” and “Conganaut” leaving the nest.  Sometimes the crating of a piece is nearly as challenging as making it in the first place.  

I’m still not quite sure what this is all about but I suddenly like it (after a bit of struggle!)

I’ve been working on a simple little machine to cause an eyeball to track back and forth.  So far so good.  LED light effects coming up next.

I had a group show opening at a new space Opiate Gallery in old town Fort Collins, Co. Dec. 2nd

I also completed a clock commission last week. I used glass stopcocks to mark the hours and a hemispherical mirror for the body. The clock is 10″ diameter.

This mechanism causes the head of my new “octo-thing” to rock back and forth. A good amount of energy went into the mattress spring suspension joints for each tentacle. At this stage though the machine is too smooth to make use of the springs. I may have to re-work things to get better results.

This is a combined haul from the flea market, scrap yard, etc. I’m on a junk binge.

About 100 cabinet knobs and 2 rocking chairs generously gave their lives to the cause of making tentacles for my new piece. It’s been a tedious process that I hope to wrap up today.

Making some progress on my latest octo-thingy. Had to cut down the height of each radio cabinet about 20% to get the proportions right. I think it looks much better now.

My piece “Re: Animated” at Varnish’s Relaunch Part II opening last week. Despite what this image suggests, the show was actually full of great sculpture by many different artists.

Big show tonight everybody. 305 Center street, Oakland 5-9pm.

Don’t let the headlines discourage you folks, Oakland is lovely this time of year. Especially at 305 Center Street tomorrow night and Saturday afternoon! We’re almost all set up and hope to see you here.

Next week I’m planning to shoot this fall’s new work and make some videos with a little less shake so stay tuned .

New sculpture: “Conganaut”

Here is the rear view of my new piece “Conganaut”

This is a detail shot of my new piece “Conganaut”.

Here is a video of my new piece titled “Conganaut”

New piece: “Inward and Onward”.

This is a detail of the torso and interior of my new piece “Inward and Onward”.

This is a detail shot of the head of my new piece “Inward and Onward”.

Here is a video of my new piece “Inward and Onward”

I’m pleased to announce that I’ll be showing my “Re:Animated” sculpture at Varnish Fine Art’s exhibit: Relaunch Part II.

The reception will be Saturday Nov. 12 from 4-8 pm.

Family resemblance.

Conga Rocket “engine”, nose cone, and “brain”. I’m always surprised when these things actually work. This one has lights and motor on separate circuits activated by a keychain remote control button.

I’ll have a couple pieces at the Blooom Art Fair in Cologne soon thanks to Strychnin Gallery.  Details below.

ART FAIR AND BLOOOM COLOGNE

Strychnin Gallery at Art Fair and BLOOOM in Cologne, from the 29th of Ocotber until the 1st of November:

Staatenhaus am Rheinpark
Auenweg 17
50679 Cologne
Germany

Please join us for the grand opening of the Lost & Foundry!

On Friday November 4th, 5-9 PM (Oakland’s first Friday) we will open our doors for our first exhibit and open house.  We are very excited to share our new space located a half block from West Oakland BART:  

305 Center Street, Oakland CA.

Come see machine inspired sculpture and painting by artists:

Nemo Gould – www.nemomatic.com

Eric Joyner – www.ericjoyner.com

Jeremy Mayer – www.jeremymayer.com

Benjamin Cowden – www.twentysevengears.com

Mark Galt 

The studios of Jeremy Mayer and Nemo Gould will also be open for viewing throughout the exhibit and through the following afternoon (Sat. Nov. 5, 1-5pm).  The show will be open by appointment through Nov. 12, 9AM – 5PM (415-894-5361)

Upcoming Shows:

I’ll be exhibiting 5 new pieces early December at the Aqua Art Miami contemporary art fair during Art Basel week. It will be taking place  December at the Aqua Hotel, 1530 Collins Ave., Miami Beach. The show dates are December 1-4, with a preview party on Wednesday evening, November 30. This looks to be a great show and is keeping me fairly busy cranking out new work this month.

Here’s the video for my new piece “Baby Squid”.

Check here for more information: http://tinyurl.com/3fn7hh5