I’ve put it off for a long time now but I finally moved my mailing list over to Mail Chimp. If you’re not already on it, please consider signing up. I promise to use it sparingly, and only to announce things I think you’ll want to hear about like new work, shows, etc.
Thanks!
This is a “tree” made from an industrial dough mixing blade and several motorcycle parts. The little tabs with holes are for mounting a little creature which will “climb” the tree.
For the next few projects I’m scaling things down a notch, working with lighter materials and smaller sizes. “Three” is the first of these “sketch” pieces and features a lucky accident with a Maltese cross Geneva. After scrapping several designs for the driver, I came across a ribbon feed from an old manual typewriter. The fit, even down to the width of the driving pin was miraculous. Sometimes, you just luck out. Perhaps this will make up for the millionth time I’ve lost a tiny part between the cracks in my floor
We start 2012 with something a bit different; a collaboration with Multi Talented Boston artist Josh Wisdumb. His work includes paintings, drawings, sneakers, tattoos, sculpture, video, musical instruments and hell, just go to his site and take a look.
Polynomial was created by working together on a sketch and outlining pieces which I cut from aluminum sheet. The pieces were synced using bead chain and sprockets, balanced then delivered to Josh’s studio where he responded to the forms as seen in the video below.
I had some fun in the studio over the holiday break.
Come see my latest sculptures and several more incredible artists this Friday night at the new Opiate galley in Old Town Fort Collins Colorado.
But for those of you who can not…
This is the second time Wired Magazine has printed this photo (this time in their UK version) without bothering to credit me or my sculpture. The image is used to support an article about Andy Rubin (he’s the one wearing pants), the man behind the Android operating system. Is it too much to ask that Art be considered as intellectual property, or at least valued in some way like every other business? I mean, come on, they’re printing a picture of a giant, anatomically correct, gun toting robot. Why bother even staging such a photo if it’s image isn’t compelling enough to warrant some kind of interest from their readers? Why not do the honorable thing and at least mention the guy who spent countless hours and dollars creating the thing? How hard is it to print a tiny little image credit?
Check out this awesome new kinetic sculpture by Gina Kamentsky. This piece is titled Si C C señor!. See (oops, now I’m doing it!) if you can figure out why.
I love how all of the various found objects are integrated in this work of art. An assemblage of unrelated things not only seem to belong together, but move together in diverse and interesting ways. Just look at how beautiful the lines are against a wall:
Just in time for the end of the year is a new piece “Si C C señor!”. I enjoyed working in the horizontal format although navigating around my small studio with this was a bit of a challenge. Check out the release mechanism at minute 00:16 .
Finally finished replacing the motor bearings and belts in my lathe. What a job, it was like cracking a Swiss safe! Big thanks to the human Wendell, and to a lesser extent the cat Ingot. I couldn’t have done it without you guys.
This little machine will be installed in the head of the large cyclops-octopus-robot thing I’m working on. Its made from a truck wheel hub, a candle holder, the motor from a dollar bill intake machine, some LEDs, and a few other random parts.
I tend toward ambiguity in most of my work, that’s why I’m a bit surprised when a narrative emerges. In this case, the latest monster on the workbench, “Si” brings together a geneva made from an a plate printed with a map of New Hampshire, some numbers from a scale, a bit of Spanish and the usual assortment of odds and ends.
I’m still not quite sure what this is all about but I suddenly like it (after a bit of struggle!)
I’ve been a busy bee lately! One commission was for a pair of Bedside Reading lamps. I made a third to work through my concept. The client requested dimmable LED bulbs on this and a previous project. They work great! The Base of the lamps are from vintage film projectors and include the utility of the original drawer compartment. The brass, ball shaped shade pivots on two axis. The arms are made of Carbon Fiber and Phenolic with glass marbles. The arm is adjustable by the knob on the base. See more, including video here.
I had a group show opening at a new space Opiate Gallery in old town Fort Collins, Co. Dec. 2nd
I also completed a clock commission last week. I used glass stopcocks to mark the hours and a hemispherical mirror for the body. The clock is 10″ diameter.
This mechanism causes the head of my new “octo-thing” to rock back and forth. A good amount of energy went into the mattress spring suspension joints for each tentacle. At this stage though the machine is too smooth to make use of the springs. I may have to re-work things to get better results.
About 100 cabinet knobs and 2 rocking chairs generously gave their lives to the cause of making tentacles for my new piece. It’s been a tedious process that I hope to wrap up today.
Making some progress on my latest octo-thingy. Had to cut down the height of each radio cabinet about 20% to get the proportions right. I think it looks much better now.
With December almost here ( and it still feels like summer in New England ) we have some beautiful shots of my most recent work thanks to photographer Elizabeth Neville. All of these pieces can be seen, starting tommorow at Aqua Art 11 in Miami. I’ll have some photos from the show later this week.
I just got some photos of the Blooom fair in Cologne from the folks at Strychnin Gallery. It looks like it was a terrific show, I’m sorry I wasn’t able to be there myself.
My piece “Re: Animated” at Varnish’s Relaunch Part II opening last week. Despite what this image suggests, the show was actually full of great sculpture by many different artists.
Last weekend marked the first show at my new studio and adjoining gallery. Many thanks to all who were able to attend, and the artists involved. Below is a photo set of the exhibition, reception, and a few images from the studios of Jeremy Mayer and Nemo Gould (myself). http://www.flickr.com/photos/nemomatic/sets/72157628080026234/
Don’t let the headlines discourage you folks, Oakland is lovely this time of year. Especially at 305 Center Street tomorrow night and Saturday afternoon! We’re almost all set up and hope to see you here.
I don’t know what’s getting into me lately, I keep setting out to do short sketch pieces and before I know it, all this… Check out the double clutch mechanisms, upside-down bell, trademark bird and, of course, daddy. BTW, there’s a bit of shaking 1/3 of the way through the video; me trying to stand up on a chair while filming.
Next week I’m planning to shoot this fall’s new work and make some videos with a little less shake so stay tuned .
Conga Rocket “engine”, nose cone, and “brain”. I’m always surprised when these things actually work. This one has lights and motor on separate circuits activated by a keychain remote control button.
Please join us for the grand opening of the Lost & Foundry!
On Friday November 4th, 5-9 PM (Oakland’s first Friday) we will open our doors for our first exhibit and open house. We are very excited to share our new space located a half block from West Oakland BART:
305 Center Street, Oakland CA.
Come see machine inspired sculpture and painting by artists:
The studios of Jeremy Mayer and Nemo Gould will also be open for viewing throughout the exhibit and through the following afternoon (Sat. Nov. 5, 1-5pm). The show will be open by appointment through Nov. 12, 9AM – 5PM (415-894-5361)
First off, here’s a spankin’ new piece titled “Nothing is done”. This one emerged after playing around with the reversing mechanism developed a few weeks ago. Note the play between the bird moving vertically on the bead chain and the horizontal back and forth near the top.
Upcoming Shows:
I’ll be exhibiting 5 new pieces early December at the Aqua Art Miami contemporary art fair during Art Basel week. It will be taking place December at the Aqua Hotel, 1530 Collins Ave., Miami Beach. The show dates are December 1-4, with a preview party on Wednesday evening, November 30. This looks to be a great show and is keeping me fairly busy cranking out new work this month.
Applied Kinetic Arts (A.K.A.) is a community of artists working within the medium loosely defined as “kinetic”. Works incorporating motion, light, sound, and interactivity are represented by the group’s ever expanding member base. A.K.A. was founded in 2007 by artists Christopher T. Palmer and Nemo Gould with the intention of raising public awareness of this art form and providing a support network for its members, and others working within the genre.
On this website you will find RSS streams from some of our members own blogs which will provide a peek into the studios and processes behind this unique approach to art making. Check the members section to learn about our contributors, see examples of their finished work, and find links to their personal sites.
Please feel free to post your comments and help spread the word about us. It is your interest and support that make it possible for artists like us to find an audience and shape the future of contemporary art.
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